“The weapon of the Tamils, known as Silambam, is the first weapon derived from the ancient era. This weapon has evolved over time.” In ancient times, humans employed a variety of weapons such as sticks, swords, axes, and more. Among these, the most ancient weapon is known as 'Silambu' (Silambam).
Archaeological excavations reveal significant information about Silambam. More than 2000 years ago, in excavations at Adichanallur, 32 ancient Silambam weapons were found. These findings provide insight into the ancient weaponry used in Tamil Nadu. One particular Silambam, made by Egyptian warriors, is also preserved in a museum in Britain. This suggests that Silambam might have spread to Egypt as part of cultural exchanges. Silambam is estimated to be around 5000 years old. It is mentioned by the sage Agastya, who refers to it in the context of its martial applications, around 2500 years ago.
Silambam emphasises three core skills: striking strength, footwork, and speed. These fundamental attributes help practitioners navigate and respond effectively to various challenges. In the context of nature, these skills manifest through the use of sticks in diverse settings, whether in coastal environments or dense forests.
The ability to strike, manoeuvre, and maintain speed are considered essential elements of this martial art.
There are numerous forms within Silambam, including Alaiyanch, Marakkai, Alangara Silambam, and others. Over time, Silambam has adapted and evolved, reflecting the changes brought about by external influences and the era of colonial rule in Tamil Nadu. Various regions have developed their unique styles of Silambam, including Kalari, Chenda, and others.
In literature dating back to the 15th century, Silambam is often associated with the concepts of balance, agility, and strength. The texts emphasise the significance of Silambam in various contexts, including health and physical fitness.
"In the 15th century AD, it is mentioned in the text Padhartha Gunachinthamani that Silambam helps in eliminating vatha (wind), pitta (bile), and kapha (phlegm) imbalances when practiced. Apart from literary sources, there are also techniques such as Kambu Suthiram (staff spinning), Kurundhadi Silambam (short staff Silambam), and Nadasari (specific forms of Silambam). The songs associated with these techniques suggest that Sage Agastya practiced Silambam along with yoga and medicine.
"After the reign of the Moovendar kings came to an end, the popularity of Silambam began to decline. However, Silambam was a historical reality practiced in battles by warriors who fought against British rule in many parts of the country. Veerapandiya Kattabomman and Poolithevan were notable figures who fought against the British East India Company in 1799 AD. The Kummi song of Kattabomman mentions the use of Silambam in battle :
" He defended the hills, firmly holding his staff in battle,
While the staff struck sounds in the Silambam duel,
It was Bharatan's (warrior's) victory. "
Warriors like Poolithevan, Maruthu Pandiyars, and many revolutionaries of the time were also Silambam practitioners.
Silambam, which was a performance art as well as a martial art for Tamils, is an excellent physical exercise. The basic skills of Silambam include the ability to wield the staff, footwork, and precision. When spinning the staff, the body's nerves and muscles are activated. This art offers several benefits such as nerve correction, muscle relaxation, breath control, coordination of the legs, and overall bodily coordination.
By holding the staff and spinning it around oneself, it is possible to form an imaginary shield around the body. This shield can help fend off attacks from weapons using the spinning staff, providing protection from any aggressors.
Silambam is a reflection of the martial heritage of the Tamil people. It embodies the culture, valor, and discipline of its practitioners, serving as a means of self-defence and physical training. It is a comprehensive discipline that integrates physical, mental, and spiritual development.
The practice of Silambam not only contributes to individual well-being but also enhances community resilience against adversities. As a traditional art, it teaches self-control, resilience, and adaptability.